Tom Holland's fourth solo outing as Spider-Man just did something no Marvel movie has managed before: it out-opened Avengers: Endgame. Spider-Man: Brand New Day pulled in a domestic opening weekend of roughly $360 million, edging past Endgame's long-standing $357.1 million record, while also setting a new single-day record with a $168 million opening Friday. Here's how the numbers broke down, what critics are saying, and why this weekend matters for the future of the franchise.

The Numbers That Matter

Brand New Day's domestic haul alone would be a career-best for most franchises, but the film also posted a massive number internationally, bringing its worldwide opening to approximately $932 million. That places it as the second-biggest global opening weekend ever, trailing only Endgame's $1.223 billion debut.

• Domestic opening weekend: ~$360 million, surpassing Avengers: Endgame's $357.1 million
• Opening day: $168 million, beating Endgame's $157.4 million single-day record
• Global opening weekend: ~$932 million, the second-highest ever behind Endgame
• Rotten Tomatoes critics score: 90 percent

For context, this is director Destin Daniel Cretton's first Spider-Man film, following his work on Shang-Chi and the Legend of the Ten Rings. Holland returns alongside Zendaya, with Sadie Sink joining the cast in a role that's drawn significant attention in early reviews and reactions.

How Critics Are Reacting

A 90 percent Tomatometer score is a strong showing by any measure, even if it lands a shade below the 91 to 93 percent range posted by the three previous Tom Holland-led Spider-Man films. Reviews have generally praised the film's handling of its ensemble cast and its willingness to shake up the status quo for the character, with Sadie Sink's addition to the franchise singled out as a highlight in several writeups.

Audience reaction alongside the record-setting box office suggests the film has struck a chord beyond just built-in franchise fans, something Sony and Marvel Studios will be watching closely as they plan the character's next chapter.

Why This Record Matters

Endgame's opening weekend record had stood since 2019, surviving the entire post-pandemic box office recovery and a string of other Marvel tentpoles that came close but never quite got there. A standalone Spider-Man film beating it, rather than another ensemble Avengers crossover, says a lot about how central the character has become to the MCU's box office fortunes, and how much goodwill Holland has built up across four films in the role.

It's also a notable win for theatrical exhibition more broadly, coming at a time when studios and theater chains alike have been eager for proof that a single event movie can still pull in numbers at this scale.

Spider-Man: Brand New Day isn't just a hit, it's now the standard other Marvel films will be measured against at the box office. With Holland reportedly signed on for more appearances and the door clearly open for further stories involving Sink's character, this weekend looks less like a peak and more like a new baseline for where the franchise goes from here. What do you think - have you seen it yet, and does it live up to the hype? Come talk about it in the NerdBlocks forum.

Seven years after its original release, Avengers: Endgame is back on top of the box office. The Encore rerelease earned $26 million domestically over the weekend of September 25 and $86 million worldwide, ahead of Resident Evil. It also includes new scenes designed to set up Avengers: Doomsday.

The Numbers

Endgame Encore debuted at No. 1 with $26 million in North America, according to weekend reports. That is the third-biggest opening for a theatrical rerelease in box office history. The record still belongs to the original Star Wars rerelease at $35.9 million, and The Lion King 3D's $30.1 million also stayed ahead.

Here is the rest of the top five for the weekend:

• Resident Evil: $23.3 million, crossing $100 million domestically
• Heart of the Beast: $20 million
• Primetime: $19.2 million
• Forgotten Island: $12.8 million

What Is New in the Encore Cut

Marvel added new scenes meant to tie the film to Avengers: Doomsday, which arrives in theaters on December 18. Reception to the additions has been described as generally lukewarm. The most talked-about change alters Steve Rogers' ending to show how his actions break the multiverse when he travels back in time.

Why It Matters

The original Endgame earned about $2.79 billion worldwide, and it has been available on streaming for years. Even so, fans showed up to see it again on the big screen. For Marvel, the rerelease works as a reminder of how the Infinity Saga ended, three months before the next Avengers film lands.

Endgame Encore proves the appetite for event-scale Marvel films is still there, even for a movie most viewers have already seen. The next test is Avengers: Doomsday on December 18, so expect more marketing pushes between now and then.

What do you think - did the new scenes improve Endgame or muddy it? Come talk about it in the NerdBlocks forum.

The first 30 minutes of Zach Cregger's Resident Evil have already screened for press, and the reactions have been loud. Sony Pictures is putting the film in theaters on September 18, 2026, and rather than adapting any single game, Cregger has written an original story that runs parallel to the events of Resident Evil 2. That is an unusual swing for a franchise that has spent two decades either loosely remixing the games or ignoring them entirely. Here is what is actually in the film, who is in it, and why the early buzz is trending in a direction the Resident Evil movies have not managed in years.

What The Movie Is Actually About

Cregger's film is not a retelling of Resident Evil 2, and it is not a remake of the Paul W. S. Anderson series. It is a new story that happens to be set during the same catastrophe.

The story follows Bryan, played by Austin Abrams, a medical courier who stumbles into the worst night of his life. What starts as a routine delivery turns into a single-night race for survival as the city collapses around him. The structure is closer to a contained thriller than a franchise-building blockbuster, which is a deliberate choice on Cregger's part.

A few things worth knowing going in:

• It is an original story, not a beat-for-beat game adaptation
• It runs parallel to Resident Evil 2 rather than retelling it
• Austin Abrams plays Bryan, the medical courier at the center of the night
• The film is the eighth entry in Sony's Resident Evil movie line
• It is directed by Zach Cregger, who made Barbarian and Weapons

Cregger has been open in interviews that he approached this as a Zach Cregger movie that happens to be a Resident Evil movie, not the other way around. That framing explains a lot about the tone people are describing.

The Early Reactions

Press screenings of the opening half hour produced the kind of reactions studios normally have to manufacture. Critics who saw the footage described it as "absolutely wild" and singled out Abrams as a standout in what several called a bumbling, in-over-his-head lead performance.

The most repeated note was about tonal balance. The opening was called one of the best horror setups in recent memory, with reviewers pointing to the way Cregger moves between laughs, dread and genuine scares without the movie feeling scattered. That is the same trick Barbarian pulled off, and it is the reason a lot of people were interested in this project the moment his name was attached.

Some perspective is warranted here. Thirty minutes is not a movie, and openings are exactly the part of a horror film that is easiest to nail. Cregger's own Weapons showed he can sustain a premise, but the full picture will not be clear until September 18. Early reactions to a first act are a signal, not a verdict.

Why This One Feels Different

The Resident Evil films have a long and complicated history. The Anderson-directed run made real money and built a devoted audience, but it drifted far from the games. The 2021 reboot went the other direction and hewed closely to the source, and it landed with a thud.

Cregger's approach splits the difference in a way nobody has really tried. The setting, the outbreak and the timeline are all recognizably Resident Evil. The story is not. That gives the film room to be scary on its own terms while still handing longtime players the geography and dread they showed up for.

It also arrives at a moment when horror is doing well in theaters and Cregger specifically is a draw. Weapons established him as a director whose name sells tickets, and Sony is releasing this in the middle of September, a window that has been very kind to horror in recent years.

Resident Evil opens in theaters on September 18, 2026, and the early word suggests it may be the first film in this franchise to work as a horror movie first and a video game adaptation second. Whether the back two thirds hold up to the opening is the open question, and it is the only one that matters. Reviews should land in the days before release, so watch for the full critical picture in the week of September 14.

What do you think, is an original story the right call for a Resident Evil movie? Come talk about it in the NerdBlocks forum.

Marvel Studios is sending Avengers: Endgame back to theaters, and it is not just a nostalgia screening. Avengers Endgame: Encore opens September 25, 2026, with roughly four minutes of never-before-seen footage shot during production on Avengers: Doomsday, plus an exclusive preview of Doomsday itself. Tickets are already on sale. Here is what is different about this cut, which screens get the extra material, and how it lines up with Marvel's December release.

What Is Actually New in Encore

The original 2019 release ran 181 minutes. Encore runs 185, which puts the new material at about four minutes. Marvel Studios president Kevin Feige and directors Joe and Anthony Russo confirmed at CinemaCon 2026 that the added footage was filmed during Doomsday production rather than pulled from 2019 deleted scenes, which is a meaningful distinction: this is new work made to bridge two films, not vault material.

Fans comparing the first trailer against the 2019 film have also flagged that certain shots appear to have been altered between versions. Marvel has not detailed those changes.

The re-release package includes:

• Roughly four minutes of never-before-seen footage
• A custom introduction
• An exclusive look at Avengers: Doomsday
• A special end tag exclusive to IMAX and Infinity Vision screenings

IMAX and Infinity Vision Get More

Encore is playing in IMAX and in Infinity Vision, a new certification for Premium Large Format theaters that guarantees a specific presentation standard covering screen size, image brightness, and sound quality. It is Marvel's answer to the wildly uneven PLF landscape, where a premium ticket has meant very different things depending on the chain.

The practical difference for viewers: audiences on IMAX or Infinity Vision certified screens get an additional sneak peek at Avengers: Doomsday beyond the preview included in standard presentations. If you are choosing a format, that is the deciding factor.

Why Marvel Is Doing This Now

Endgame closed the first decade of the Marvel Cinematic Universe, picking up after Infinity War as the Avengers make a final stand against Thanos. It also broke records on the way out, opening to $1.2 billion worldwide, still the biggest opening weekend ever recorded.

Avengers: Doomsday arrives December 18, 2026, with Avengers: Secret Wars behind it. A theatrical re-release three months ahead of Doomsday does three things at once: it puts the Infinity Saga finale back in front of a mass audience, it plants new connective footage in the version people will rewatch, and it delivers a Doomsday preview to the exact crowd most likely to buy an opening-weekend ticket. It is a marketing move, but it is an unusually generous one.

Encore is the rare re-release with a reason to exist beyond an anniversary. Four minutes of newly shot footage, a Doomsday preview, and a format tier that actually promises something specific make it worth a theater trip rather than a rewatch at home. Tickets are on sale now for September 25, and Avengers: Doomsday follows on December 18.

Are you going back for Encore, or holding out for Doomsday in December? Stake your claim in the NerdBlocks forum.

After nearly two decades of rumors, false starts and Nicolas Cage telling interviewers he would do it if anyone ever asked, National Treasure 3 is real. Director Jon Turteltaub confirmed it on August 22 during a live taping of the National Treasure Hunt podcast at the Philadelphia Visitor Center. There is a completed script, Disney has signed off on it, and Cage is set to return. Here is what has actually been confirmed and what is still open.

What Turteltaub Confirmed

The announcement came during Philadelphia's inaugural National Treasure Weekend, a fan event built around the first film's Independence Hall sequences. Turteltaub, who directed both the 2004 original and the 2007 sequel Book of Secrets, said the project has cleared the hurdle that killed every previous attempt: the script.

The confirmed details:

• The script is done and both Turteltaub and Disney are happy with it, which Turteltaub summarized as the studio agreeing it "sounds like a movie we can make"
• Nicolas Cage is returning as Benjamin Franklin Gates
• Jerry Bruckheimer, producer on both earlier films, has given the script his blessing
• The rest of the cast is being pursued, with Turteltaub saying that to whatever extent possible, everyone is back

What has not been announced is a production start, a release date, or formal confirmation from Disney itself. Turteltaub's phrasing throughout was that of a director describing momentum rather than a greenlight with a date attached.

Why This Took 19 Years

Book of Secrets made $459 million worldwide in 2007 and a third film was announced almost immediately. It then sat in development limbo for the better part of two decades.

The obstacles were mostly structural. Disney's priorities shifted hard toward Marvel, Star Wars and Pixar in the years after the acquisition spree, and a mid-budget adventure franchise built around a single star did not fit the release strategy. Screenwriters cycled through the project repeatedly without landing a version anyone was happy with. Cage's own career took a detour through a long stretch of direct-to-video work that made him a harder sell to a studio betting nine figures on a family adventure.

Two things changed. Cage's critical standing recovered substantially over the last several years, and Disney's appetite for mid-budget four-quadrant films came back as the theatrical market stabilized. There was also a test run: the Disney+ series National Treasure: Edge of History ran for one season in 2022 with a new cast and was cancelled, which fairly clearly demonstrated that the audience was there for Cage specifically rather than the premise.

What Is Still Unknown

Almost everything past the script. No shooting date, no release window, no confirmation on which returning cast members have actually signed. Diane Kruger's Abigail Chase and Justin Bartha's Riley Poole are the two names fans will want confirmed, and neither has been announced.

The plot is also unknown, though the franchise's pattern is straightforward enough. Both films built their treasure hunt around a real American historical artifact and a fictional secret hidden inside it. The Philadelphia venue for the announcement may or may not be a hint.

For now the safest read is that National Treasure 3 has moved from "perpetually rumored" to "actively in development," which is a real change but is not the same as a production start.

National Treasure 3 has a script Disney likes, its original director, its original producer and its original star, which is more than the project has ever had at one time. What it does not have yet is a camera rolling. Watch for a formal Disney announcement with a release date, since that is the point at which this stops being a promising development and becomes a movie.

Do you want a third National Treasure, or should it have stayed a duology? Make your case in the NerdBlocks forum.

Sony Pictures dropped the final trailer for Insidious: Out of the Further this week, and it flips the franchise's core premise on its head. Instead of characters venturing into the Further, the sixth installment asks what happens when the Further stops waiting for an invitation. With Lin Shaye back as Elise Rainer and a new lead in Amelia Eve, the film is set for an August 21 theatrical release. Here's what the trailer reveals and who's involved.

A New Family, A Familiar Threat

The story centers on Gemma, a single mother played by Amelia Eve, who returns to her childhood home with her daughter. Gemma discovers she has the ability to pull inhabitants of the Further into the real world, a power that quickly spirals into a dangerous collapse between realms. Rather than another haunted-house descent into the astral plane, the film builds around a home invasion premise: a trio of stalkers infiltrates Gemma's quiet suburb and forces her family into the Further itself.

• New protagonist Gemma can bring the dead into the real world, not just visit them
• The Further "bleeding into" reality replaces the usual portal-crossing plot
• Franchise veteran Elise Rainer returns to warn of the consequences

Cast and Crew

The film is written and directed by Jacob Chase, continuing the story after 2023's Insidious: The Red Door. Lin Shaye anchors the cast once again as paranormal investigator Elise Rainer, alongside a roster of newcomers to the series.

Full Cast List

• Amelia Eve as Gemma
• Lin Shaye as Elise Rainer
• Maisie Richardson-Sellers (DC's Legends of Tomorrow)
• Laura Gordon (Late Night with the Devil)
• Brandon Perea (Twisters)
• Sam Spruell (A Knight of the Seven Kingdoms)

What the Final Trailer Shows

The final trailer leans into the franchise's established visual language, dark hallways, flickering lights, and the Further's signature red haze, while teasing a larger-scale threat than previous entries. It's a noticeably more aggressive cut than earlier marketing, suggesting Sony is positioning this as a bigger theatrical event than 2023's The Red Door.

Insidious: Out of the Further hits theaters August 21, giving horror fans one more big theatrical release before the fall slate ramps up. Whether this new twist on the Further can revive the franchise's box office momentum will become clear soon enough.

What do you think - is this new spin on the Insidious formula something you're excited for? Come share your predictions in the NerdBlocks forum.

Spider-Man: Brand New Day did not just open well. It knocked over records that had stood since 2019 and it is not finished yet. The film took the biggest opening weekend in box office history, crossed a billion dollars globally in six days, and has now become the fastest movie ever to $700 million domestic. Here is where the numbers actually stand and what the film is still chasing.

The Records It Has Already Taken

The headline number is the debut. Brand New Day pulled roughly $360 million in its domestic opening weekend, edging past the $357 million Avengers: Endgame posted in 2019 for the largest domestic debut ever recorded. It also broke the single-day record on the way there, taking a reported $168 million on its opening Friday.

The pace after that is the more unusual part. Most record-setting openings are front-loaded and fall off hard in week two. Brand New Day held on for one of the biggest second weekends on record instead.

Where the numbers sit now:

• Roughly $700 million domestic, the fastest any film has reached that mark
• Around $1.67 billion worldwide
• Past $1 billion globally in six days, the second-fastest to hit that international pace
• One of only seven films to ever cross $700 million domestically

What It Is Still Chasing

The remaining target is the one no film has ever hit: $1 billion at the domestic box office alone. Endgame topped out around $858 million domestic. Star Wars: The Force Awakens sits at roughly $936 million. Both fell short.

Brand New Day has two things working in its favor. The hold in weekend two suggests genuine word of mouth rather than pure opening-weekend hype, and the rest of the summer calendar is unusually thin on direct competition. That combination is exactly what a long domestic run needs.

It is not a certainty. Getting from $700 million to $1 billion means grinding out another $300 million in a period when most blockbusters are already fading to modest weekday numbers. But it is close enough to be a live question rather than a fun hypothetical, which is more than any previous contender could say.

The Bigger Picture for Summer 2026

The film is also carrying a lot of the season on its back. Summer domestic box office crossed $4 billion in 2026, only the second post-COVID summer to manage it, with Brand New Day and The Odyssey doing the heaviest lifting. One weekend during the run posted $437.1 million across all titles, an all-time high for a single frame.

That matters beyond Marvel. A summer that clears $4 billion is a data point studios use when deciding how many tentpoles to greenlight and how confidently to stagger release dates. A single film this dominant is a mixed signal, though, since it also shows how top-heavy the market has become.

Spider-Man: Brand New Day is still in theaters and still climbing, with the $2 billion worldwide mark looking likely and the domestic billion genuinely in play. The next few weekends will decide whether this ends up as a very big Marvel hit or as the film that broke a ceiling nobody has touched in a century of moviegoing.

What do you think - does Brand New Day get to $1 billion domestic, or does it stall out in the $800s? Come argue about it in the NerdBlocks forum.

Christopher Nolan doesn't miss often, and The Odyssey looks like another hit. His IMAX-shot adaptation of Homer's epic poem opened July 17 and has already crossed $700 million worldwide in just 12 days, putting it on pace to become the fourth film this year to clear $1 billion globally. Here's how the numbers broke down and why this one landed so much bigger than expected.

The Numbers So Far

The Odyssey opened to $263.7 million globally, the biggest worldwide launch of Nolan's career, with $123.5 million of that coming domestically. It held remarkably well in its second weekend, and by day 12 had climbed past $700 million, split roughly $320.5 million domestic and $407.4 million overseas.

Box Office Milestones

• Opening weekend: $263.7 million worldwide (Nolan's biggest global debut ever)
• 12-day total: $727.9 million worldwide
• Domestic total: $320.5 million
• International total: $407.4 million
• Projected: Crossing $1 billion within the next week

That trajectory would make The Odyssey the fourth movie of 2026 to hit ten figures, a milestone that's helped fuel talk of a genuine summer box office comeback after a rockier few years for theatrical releases.

What Made It Click

The film stars Matt Damon as Odysseus, with Anne Hathaway as Penelope and Tom Holland as Telemachus, and was produced on a reported $250 million budget with another $125 million spent on marketing. Nolan shot the film using new IMAX film technology across multiple international locations, leaning into the same large-format spectacle that's driven his last several releases to blockbuster numbers.

Analysts pointed to a mix of factors: Nolan's brand recognition after Oppenheimer, a marketing push that emphasized the scale of the production, and a summer schedule that gave the film room to build momentum instead of getting buried by other tentpoles.

Nolan has now delivered his biggest opening ever and put a mythological epic on track for a billion-dollar global run, a genuine rarity for original, non-franchise filmmaking at this budget level. The film is still playing wide in theaters, and the next milestone to watch is whether it crosses $1 billion before its theatrical window closes. Are you one of the millions who bought a ticket? Come talk about it in the NerdBlocks forum.

Marvel Studios and Sony have released the final trailer for "Spider-Man: Brand New Day," the next chapter in Tom Holland's run as the wall-crawler. The trailer leans heavily on emotional callbacks to Peter's journey from "Homecoming" through "No Way Home," before pivoting into new, action-heavy footage of a brutal clash with Mark Ruffalo's Hulk. The film swings into theaters on July 31.

A Trailer Built on Nine Years of History

Rather than lead with new footage, the final trailer spends much of its runtime recapping Peter Parker's entire MCU arc, from his first outing in "Spider-Man: Homecoming" to the reality-altering spell that erased him from his friends' memories at the end of "No Way Home." That framing sets up the emotional core of "Brand New Day": Peter is once again fighting crime full time as Spider-Man, but now in a world where the people he loves no longer remember who he is.

Watching old friends move on without him is presented as the emotional pressure point of the film, one that the trailer suggests pushes Peter toward a change he "may not have the power to control."

The Hulk Enters the Fight

The trailer's biggest new reveal is extended footage of Spider-Man going toe to toe with Mark Ruffalo's Hulk, delivering the kind of large-scale action Marvel has largely kept under wraps in earlier marketing. The confrontation appears to be a centerpiece set piece of the film, and its inclusion in the final trailer signals Marvel wants audiences walking into theaters with high expectations for the film's action scale.

Alongside Holland and Ruffalo, the film stars Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, and Michael Mando, with Destin Daniel Cretton directing.

Conclusion

"Spider-Man: Brand New Day" is positioning itself as both a culmination of Tom Holland's nearly decade-long run as Peter Parker and a fresh, higher-stakes chapter with the Hulk thrown into the mix. With the final trailer now out and the film opening July 31, Marvel is clearly banking on nostalgia and spectacle in equal measure to close out the summer box office.

What Is Man of Tomorrow About

Man of Tomorrow is the fourth film in the new DC Universe and a direct follow-up to 2025's Superman. Written and directed by James Gunn, the film picks up roughly two years after the events of that movie and centers on an uneasy alliance between Superman and Lex Luthor as the two face down the cosmic threat of Brainiac.

Pairing Superman with his archenemy against a bigger common threat is a classic comic book move, and it sets up a dynamic that Gunn has not fully explored yet in the DCU: what happens when Luthor's ego and resources are pointed at something even he cannot out-scheme alone.

Cast and Production Details

David Corenswet returns as Superman, with Nicholas Hoult reprising Lex Luthor. Lars Eidinger joins the cast as Brainiac, one of the character's most dangerous adversaries in the comics and a natural next-level threat after the Ultraman and Engineer conflicts of the first film.

Filming began in April 2026 at Trilith Studios in Atlanta, Georgia, with additional shoots in the United Kingdom and Cincinnati, Ohio. Production is expected to run through mid-2026, putting the film on a fairly standard post-production runway ahead of its 2027 release.

When Will We See a Trailer

As of mid-July 2026, no trailer has been released. Given that the first Superman film debuted its teaser in December 2024, roughly seven months before its own release, fans can reasonably expect a first look at Man of Tomorrow toward the end of 2026, likely tied to a major event like a Super Bowl spot or a DC-specific showcase.

Conclusion

With a year to go, Man of Tomorrow already has the ingredients for one of DC Studios' bigger swings: a returning cast, a comic-accurate villain pairing, and a director with a clear vision for where the universe is headed. The wait for actual footage continues, but the countdown has officially begun.

FAQ

When does Man of Tomorrow come out?

Man of Tomorrow is scheduled for release on July 9, 2027.

Who is directing Man of Tomorrow?

James Gunn is writing and directing the film, continuing his work on the new DC Universe.

Who stars in Man of Tomorrow?

David Corenswet returns as Superman and Nicholas Hoult returns as Lex Luthor, with Lars Eidinger joining as Brainiac.

Is there a trailer for Man of Tomorrow yet?

No official trailer has been released as of July 2026. One is expected later this year.

Is Man of Tomorrow connected to Superman (2025)?

Yes, it is a direct follow-up set about two years after the events of that film.

Where is Man of Tomorrow being filmed?

Production is taking place at Trilith Studios in Atlanta, Georgia, with additional filming in the United Kingdom and Cincinnati, Ohio.